Pipe Stopper and Tracker Bar Modifications

by John Smith

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New Stoppers
I think it is true to say that a weak point in many small organs, is the pipe stopper seals. For the pipes to perform properly these have to be 100% airtight, there also has to be a compromise to allow for adjustment. For the amateur, some of the professional methods can be very difficult to repair, or reproduce.  Many scorned the draught strip stopper seals as used in my Busker organ, but it was a practical answer to a tricky problem, however the manufacture of the foam strip has now changed making it unsuitable.

My latest way of making stoppers might be of more general interest as it is suitable for new pipes or repairs. The wooden part of the stopper is made roughly 2 mm smaller than the pipe bore, the lower corners are chamfered off and a piece of new chamois leather glued onto just its face.  The leather should overlap the wood by about the same amount as the depth of the stopper.  When the glue is dry just push it into the pipe, the soft leather will form itself around the wood and even seal those awkward corners.  If adjustment to the fit is needed then card shims can be fitted around the wood.  A little tip: Before fitting stoppers to suspect, or new pipes, test them using a ball of Plasticene as a temporary stopper, this will show up any leaks in the pipe itself.

Tracker Bar Modifications
As most of you will know, my DIY organ is direct action, the air simply goes through the holes in the paper roll directly to the pipes.  To get enough volume with this system I had to use larger than standard holes, 4mm instead of 3mm, and for the bass notes even larger 6mm ones.  Originally I recommended two sizes of hole in the paper rolls, but it was not long before my good friend Edward Murray-Harvey pointed out a better way.  Apparently some of the old instruments got their extra wind for the bass notes by extending the length of the holes.  So I carried out some tests and issued this modification: The lowest note hole is now lengthened to 9mm and this process continues gradually diminishing over the next 6 note holes. The main result of this means that it is no longer necessary to cut larger holes in the rolls for the bass notes.  If you have already made your Busker organ using the early plans, never mind, as the holes can be extended in situ. (Carefully stop any sawdust passing to the pipes) I did mine by pushing a strip of soft cloth into the reader holes and then enlarging them, removing the cloth while vacuuming the hole.

Improving your Music Rolls
It may now seem unnecessary to keep the 6mm holes but it is still an advantage as it allows for use to be made of a unique quality of the direct action. By varying the size of the holes in the roll the volume of particular notes can be changed, for the bass this means they can be made even louder, very effective to give a particular note some extra punch. There is a good deal of scope to personalise your rolls, a true vibrato can be obtained by punching individual holes, rather than continuous slots.  Also try cutting wavy slots for an amazing bagpipe effect.

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